The biggest challenge in choosing a font for the web is that different browsers may render fonts differently. For example, Firefox tends to render fonts with a heavier weight than other browsers. From a brand consistency viewpoint, this can be challenging — it can be difficult to ensure your chosen fonts look the same for all users. To show how important this is, let’s look at what happens when you don’t use an easy-to-read font. What you really see is the bright yellow-green box with the question at the screen center. This shows that typography here is much more of an art element than a text element.
Remember to test and evaluate fonts with your target audience to ensure optimal readability for all users. Its design is inspired by early 20th-Century fonts like Futura or Akzidenz Grotesk. Quaterais an old-school serif typeface providing easy-to-read body text that won’t overshadow other components of your project. Its other prominent features are dual-case letters, standard and discretionary ligatures, and alternate glyphs. All in all, Articulat is a must-have legible font to showcase your expertise and creativity in your design projects. If you’re looking for a sleek and contemporary-style sans-serif to give your designs an edge, Berger Sans fits the bill.
Hard To Read Fonts
This works because supporting text elements are clear and easy to read. Move to the “About” page and you can see a simple version of her name on the screen clearly, as it should be on an about page. Slider/scroll actions allow you to see the liquid elements and even letters more clearly. It’s designed to be highly visual but then provide necessary information when you need it. This trend seems to have spawned from experimental fonts, which are continuing to grow in popularity.
Its well-proportioned letterforms and generous spacing make it an easy font to read, ideal for both digital and print media. If you are reading straight text (no numbers) at 11px, then I think Segoe is easier to read. But, whoever decided Segoe UI is an all around easier to read font than arial…
How do you choose a font for extremely limited space, i.e. will fit the most READABLE text in the smallest space?
It’s a thin serif which feel pretty subtle, and is coupled with sharply defined edges, providing excellent contrast. You could use it for your headlines, and it would look great for the main body of your content as well. Even better, it’s not limited to the English alphabet and has support for over fifty languages, including those from Central and Northern Europe. Full of personality and unashamedly casual, Bree might seem suited only to headings rather than body type, especially as it was born from TypeTogether’s logo. However, a closer look reveals that, while headings are certainly its forte, Bree performs surprisingly well at smaller sizes. The 2008 Seed Conference website made particularly good use of Times by giving it the feel of a display face.
With its distinctive modern and contemporary flair, Lucida Grande breaks the mold of traditional sans-serif typefaces. Designed as a professional modern geometric sans serif, JUST Sans is both serious and friendly, neutral but warmly expressive, technical but not overt, and familiar but unique enough to stand on its own. JUST Sans (get 2 free weights here) is a highly legible typeface with endearing, modernist warmth, geometric legibility, and a distinctive friendly bite. Helvetica, originally known as Neue Haas Grotesk, is a popular sans-serif typeface that was created in 1957. Take the three variations of Karloff pictured here, the font typography luminary Peter Bil’ak designed to test his hypothesis that a font’s weight distribution determines whether we find it ugly or beautiful. Didot is an excellent font that uses dramatic variations between thick and thin strokes while still managing to maintain balance.
Why is it important to choose the right font for my website?
Having tried out all the best font resources, these are our top 40 fonts for your site and business. When choosing a font, it can be tempting to pick something that how to pick fonts for website will stand out. But at the end of the day, if your font is so memorable that it distracts from the content itself, it won’t help you achieve your messaging goals.
Bodoni is another famous example of a well-balanced font with its strong, solid vertical strokes and lighter arches and curves. Its serifs add a small bit of classy flair that also feels like counterweights keeping the letters upright. Fonts are one of the most important design choices to make when developing your brand identity. The best fonts leave you feeling like you’ve made an instant friend while the worst fonts are like a stranger who won’t leave you alone.
Create Quality Content With Quicksand
Its crisp appearance and professional undertones make it capable of easily conveying information while looking sharp on the screen. Therefore, if you aim to convey reliability through your website and leave a solid impression on the audience, Georgia is the way to go. Times New Roman has been one of the most favored typefaces on Windows devices. It is also a popular choice for mobile reading due to its open apertures, tall corpus size, and ample kerning that helps the readers speed up and comprehend the words as they go over them. Who says that the most readable fonts must always be formal and no-nonsense?
Fonts come in families, with multiple versions based on a single design – with light and heavy weighting, for example. The best website fonts feature a broad library of styles, for maximum flexibility across all your content. When choosing which font is best for a website, readability comes first – crisp lettering with good spacing that scales nicely on desktop and mobile devices. A future-thinking company might run with Montserrat; a laid-back firm might adopt Bree. Creative Market hosts many interesting and original fonts, and FreeLine is a great example. Designed by Sentavio, it’s obvious at first glance that it is not designed as a standard font for general text.
JUST Sans® Clean Modern Minimal Geometric Typeface
However, what could have made Maine even better was if it came with support for more than one file format and OpenType features. Our creative team was pleased to learn about Maine’s availability in six different styles and matching italics for each set. Another aspect that left us starstruck was TT Norms Pro’s extraordinary OpenType features, including 1600+ glyphs and support for more than 275 languages. It is a highly functional, basic, yet friendly font that has been incorporated by giants such as Cartoon Network, CSN, CBSN, and many other big names. Next up, we have the TypeType studio bestseller, TT Norms Pro typeface. But if you are looking for the easiest font to read for the elderly and kids alike, there’s no better option than Quatera.
- Legible at relatively small sizes despite being condensed, it’s a bold and formidable face; a slice of American industrialism performing magnificently in the digital age.
- By considering factors such as user research, letter differentiation, font weight, and shape, you can make informed decisions to enhance legibility and improve the overall user experience.
- Although initially designed for use in magazines, Tisa has become popular on the web, perhaps because – like the majority of typefaces here – its large x-height makes it highly legible as on-screen body type.
- Slider/scroll actions allow you to see the liquid elements and even letters more clearly.
Even newer than Bison is Rapor, which debuted on myfonts in 2021. It’s made up of ten weights ranging from ‘thin’ to ‘black’, totalling twenty styles with matching italics. This serif design was inspired by traditional French typefaces, but modernised to meet contemporary needs. It is renowned for its high contrast between its thin and thick strokes. Abril Fatface was inspired by the 19th Century advertising posters that adorned cities in England and France.
Their clean, uncomplicated design makes them easier to read on screens. Many fonts have been explicitly designed for use on computer screens (generally referred to as screen fonts). Matthew Carter’s set of typefaces; Verdana, Tahoma, Georgia et al are great examples; they were designed from the outset with the pixel grid in mind. That makes them inherently good for use at smaller sizes (but generally makes them look a bit awkward in print). When testing the best fonts for websites, we review each typeface across a range of factors.
